#TIME LAPSE ASSEMBLER FOR MAC MANUAL#
#TIME LAPSE ASSEMBLER FOR MAC SOFTWARE#
#TIME LAPSE ASSEMBLER FOR MAC ISO#
#TIME LAPSE ASSEMBLER FOR MAC SERIES#

#TIME LAPSE ASSEMBLER FOR MAC SOFTWARE#

If the adjustments are not applied the same to every photo, it will be apparent when played back.Over the years I’ve received a lot of questions about timelapse post production tools and apps… and for good reason, there is a lot out there. Finding and using a particular software application is simple, but so was hand sanding a detailed wood carving before I discovered a Dremel. It is best to edit the first image in your sequence then apply those adjustments to the others by Shift + clicking the last image and using the Sync button in the develop module. Now that your images are shot, import them into Lightroom and perform any necessary adjustments to exposure, contrast, or color. It is always wise to shoot a few more than what is required just for good measure. Therefore, to make a 10 second video you will need to shoot 24fps multiplied by 10 seconds, which equates to 240 images total, or 300 using 30fps. This means 24 or 30 photographs appear consecutively within a one second span. Video in the US is typically viewed at 24 frames per second for cinema, or 30 frames per second for broadcast. The math is simple. Say you need a 10 second time-lapse.

Moving clouds or waves = 1-5 second intervals.

Moving people or cars = 1/8-1/2 second intervals.

Only practice will help you become better at analyzing a scene and setting an interval. Here are some scene examples and intervals to consider as suggestions. Note, these are not hard fast rules. Conversely, clouds moving slowly across the sky don’t need to be shot every 1/2 second as they will likely not have moved much since the previous shot. The subjects in your scene will be moving quickly so taking your first shot and then another ten seconds later will appear choppy as all of their movement in between those ten seconds will not have been captured. For example, crowds of people crossing an intersection. In a scene with quickly changing movement, you will want to choose an interval that is shorter. The interval is simply the time between each shot taken. Shoot in raw, lock your focus manually, and set a white balance that is appropriate for the scene instead of using auto. Both of these settings create a lag after each shot is taken which slows down your camera and interferes with short, back to back intervals.

#TIME LAPSE ASSEMBLER FOR MAC ISO#

Think about the shutter speed first then set aperture and ISO last.įinally, turn off your cameras high ISO noise reduction and image preview functions if possible. If capturing the movement of people, do you want them to appear sharp, or slightly blurred? Slowing down your shutter can create an ethereal look that is interesting if used correctly. Again, consider the speed of the subjects in your frame and how you want them to appear in your time-lapse.

#TIME LAPSE ASSEMBLER FOR MAC MANUAL#

The exposure should remain static throughout your shoot and set using manual mode. Creating a time-lapse that spans from afternoon to dark can create complications that are beyond the scope of a beginners level. This can be mid morning, mid afternoon, or even night. To keep things simple when starting out shoot at times of the day when the variability of light is not changing much.

Once you’ve got it, set your camera on a tripod and compose the shot. Consider this in your decision as you may find yourself getting bored or simply not having enough time. For example, to capture slow moving clouds you would need to stay put for much longer than you would need for moving cars, as they will not pass as quickly through your frame. The speed of the subjects within your frame will dictate how long you will need to wait for the time-lapse to complete. This can be anything from moving cars, people, or even clouds. You will first need to find a composition that lends itself to a time-lapse. By understanding the speed of objects passing through your scene and the length of time-lapse needed, a simple calculation is all that’s left.

#TIME LAPSE ASSEMBLER FOR MAC SERIES#

Video at its core is simply a series of photographs taken very closely together and combined to appear as one long sequence. The simple truth is that all you need is a basic DSLR, a tripod, a cheap intervalometer, and Adobe’s Lightroom.

Time lapse assembler for mac